First, I apologize for not posting in a while, but with NaNoWriMo and the Creative Pinellas Grant window open for Professional Artist, I’ve been extremely busy. The deadline for the latter is December 5th and I still have a couple more work samples to upload.
So, for almost the past two months, I chose to focus on what would give me the most exposure as an author.
FIYAH Magazine was open for submissions in October and I needed to finish a story that I had a lot of fun writing for their Ahistorical Black fiction theme. I spent weeks researching slave revolts, the lives of slaves, the Civil War, New Orleans, the Reconstruction Era, and most importantly how many Africans died during the Middle Passage, which should be renamed the African Holocaust. Why? Because millions of Africans lost their lives. Anyway, I finished the short story just in time.
And something amazing happened!
I received an email from Fiyah Magazine requesting my story a few days ago. And today, I noticed an email containing the contract! Woo hoo! Yes!
That aside, all of the research for that short story opened new windows of ideas and opportunities for other stories I’m currently working on.
This past year, I’ve submitted short stories, picture books, and novel manuscripts to agents and publishers. Most came back as rejections and some I’m still waiting on because it takes at least 6 months for feedback. Six months. I had also applied for the Creative Pinellas Emerging Artist Grant and unfortunately wasn’t one of the top ten finalists. I not only felt like a failure, but worse, a misunderstood failure and wondered when I’d be recognized for my work. Perhaps more on that at a later date.
So I’m willing to accept failure as something more positive.
I’m not going to give up and this moment of sunshine through the clouds of doubt is what I needed to persevere! 🙂
And on another quirky note, there are quite a few petals remaining on my roses. Now, how about that?
A discussion came up on Facebook regarding the apparent lack of diversity in publishing when Martha Boss, book blogger, educator, and model shared her opinion regarding the lack of diversity at book events. She explained that she had no desire to attend any literary events that didn’t have authors from all walks of life. And in the United States of America in 2017, one would think that such an opinion would be positively acknowledged and celebrated. Unfortunately, an uproar of finger-pointing and finger-wagging ensued by some disgruntled readers of her post. On a positive note, the conversation inspired me to write this post.
Before I delve into where I stand on this matter, I will first give some background knowledge and context.
Most of you may know that my husband is white. I bring up his skin color because of the nature of this post. You see, some time ago Marvel was relaunching Spiderman and making the hero that followed in Peter Parker’s steps a young man named Miles Morales, who is half-Black and half-Hispanic.
I was okay with this change. And as an advocate for diversity, I’m all about the inclusion of more and more people of color in all social constructs. On the other hand, my husband was concerned about this change. For those of you who aren’t familiar with Spiderman, he’s a young man named Peter Parker who happens to be white, like most of the comic book characters that have become not only popular, but also who have become mainstream due to aggressive marketing and appearances in movies (Batman, Deadpool, Superman, ad nauseum). All alternate personas of these heroes are white males. And all but two of them are filthy rich (yes, looking at you, Deadpool and Mr. Kent.)
Hardcore fans are all about staying true to the “canon”. And there are laws that must never be broken.
Two main “no-no’s” are:
THOU SHALT NOT CHANGE THE COLOR OF THE CHARACTER.
THOU SHALT NOT CHANGE THE GENDER OF THE CHARACTER.
My husband was concerned that the writers weren’t staying true to the canon by changing Spiderman’s ethnicity. My husband’s argument was logical especially when he supported it with this gold nugget: “The market should be actively looking for writers with new fresh faces and cultures to add to the Marvel or DC universe. Peter Parker should keep on being Spiderman.”
I agreed with my husband that the Industry or Market should be looking for new material from different perspectives instead of rehashing the same tripe year after year. Moreover, consumers need to do their job by demanding what they want and if the Market isn’t giving it to them? Well, now. There’s this powerful principle called supply and demand and it’s a beautiful thing. If I don’t like a show, I won’t watch it. If I don’t like a restaurant, I won’t eat there. For example, even if McDonald’s were the last restaurant on the planet I REFUSE TO EAT THERE!
A few months after my husband and I had our third child, he turned to me and said, “I get what you’re saying. You know, about seeing more characters that are people of color. I don’t want our sons growing up not seeing that they’re important. That they exist.”
And the cry for diverse books wasn’t enough because then you fall into the bait-and-switch trap that it’s okay for white authors to write books that star nonwhites as the characters. Then, the #ownvoices movement was ushered in to stress how important it is for people of color to tell their own stories in their own voices and not having to fear that they needed to pander to or patronize a white audience or any audience (regardless of color) that didn’t understand where they were coming from.
Too bad these movements aren’t making waves on television. Yet. You see, over the past several months, my husband and I observed a disturbing trend regarding television shows for children. I’ll most likely go into more detail about that in a future post. 🙂
The conversation that my husband and I shared regarding the necessity for diversity in books and comics inspired me to reflect on my childhood as a reader and where I am now as an author and reader. My reflection motivated me to write this blog post.
Now, back to the main topic.
In one of my previous blog posts I discussed the deathtrap of stereotypes. A common stereotype regarding Black people is that we don’t like to read. It was also one of the arguments that excuses the cold, hard fact that 88% of books reviewed by the New York Times are written by white authors. So, one could ignorantly draw the conclusion that Black people don’t like to write either. Or that they don’t know how to write. But, if they do like to write, they’re not very good at it because they don’t like to read and thus there’s no market for them. And that’s just the way it is.
Uh, no. Just no.
Yes, indeed. 🙂
When I purchase books for my classroom I choose them very carefully. I want books that will not only keep my students engaged, but appeal to their gender, not only relate to their own experiences, but challenge, and build onto this foundation. My Black students, as well as White, Asian, and Latino students love reading a good book regardless of what color the main characters are . . . or whether or not the main characters are even human. However, there comes a time when nonwhite students wonder WHY their experiences, their truths, their very essence isn’t proudly shown on the cover of a book or even within its pages. I know because I was once their age and wondered these thoughts: Am I not worth writing about? Are people like me not worth reading about? (Well, unless you’re a slave getting the crap beat out of them). By the way, what is the USA’s morbid obsession with Black pathology? Yuck.)
We Need Diverse Authors
About eight years ago, libraries (some may still practice this, but I’m pleased to say my local library DOES NOT) shelved books based on genre in an obsessive compulsive way that would impress even this guy:
Back then, there were no cross-genres.
Dear heart, weep not. Tis 2017 and we live and breathe for literary mashups such as yours. 🙂
No, no, no. Every little book went into its own boxed off little shelfie-welfie corner. Oh yes, yes, yes.
So books like this:
or this . . .
wouldn’t appear in the general romance aisle, but be ghettoized or segregated from that oh-so lucrative and coveted section and placed in the African-American books, Street Lit, Urban Lit, or wherever library’s chose to place books with dark brown to light brown faces on the cover. Think about your local grocery store and how soy sauce, butter chicken, and curry are cordoned off in their own aisle labeled “multicultural or ethnic” away from the other condiments. Even poor sauerkraut and gelfilte fish has its place there. If I hadn’t watched the Food Channel or binge watched “Great Eats Around the World” I would remain culinarily (made that word up) ignorant! Now, regarding the segregated books: Was this practice intentionally racist? *Shrugs shoulders*. Not sure. But, one could see how this limits authors of color from being discovered from readers regardless of their color even though it fit in the “general genre”.
A couple of weeks ago while visiting my local library I noticed a lot of newer authors I had never seen before. I was so impressed that the library had become “integrated” that I had to take a picture of it!
A Japanese author, a Black author, a White author, and even a Native American author all on one shelf! 😀 And all different genres! Ha! Impressive.
Clearly, people and books don’t belong in boxes. Well, unless you’re dead and boxed in a coffin. Sorry, I digress.
In 2015, Lee & Low, a publishing house that prides itself on finding new authors of color shared the results of the Diversity Baseline Survey, which revealed that overall the Industry is predominantly white and female. Bet you weren’t expecting THAT revelation. But, it’s true. And when I say overall we’re talking about all levels:
Marketing & Publicity Dept.
Is this predominantly female white status quo deliberate and thus, racist? Well, if you consider the data . . . the other question is will it be kept this way and by design?
While I hunted for facts regarding the struggle many writers of color — Asian, Caribbean, African, South American — experience trying to get published, I encountered similar stories:
Mira Jacob, young author of the critically acclaimed novel, The Sleepwalker’s Guide to Dancing, shared a powerful speech about her struggles as an (East) Indian woman dealing with ignorance and prejudice in the publishing industry. A MUST READ!
Jenny Zhang shares how a white poet, Michael Derrick Hudson, used a Chinese pen name, Yi Fen Chou.
Paul Langan, a white novelist writes popular series about Black students growing up in an Urban setting.
PP Wong, author and editor shares how many times her novel was rejected. One of the reasons is really, really, really stupid. And clandestinely racist.
Phenderson Clark, speculative fiction writer of Afro-Caribbean descent draws back the curtain regarding racism against fellow Black authors (and the lack of characters) in the science fiction and fantasy community.
To piggy-back on the final bullet regarding the science fiction and fantasy genre that I write and adore I come to a fork in the road. Lately, several of the Big Five publishers that are located in New York are requesting romance novels from Black authors. I don’t know how to write strictly Romance. I mean, doesn’t it entail, you know, like a “formula” where handsome guy meets gorgeous lady and they don’t like each other at first until he or she does something and then the tide is turned and then they like each other, but not like that and then they fight and break up and then you know — heck, I DON’T KNOW! So, my point that I’m trying to make is do I just “sell out” and go to the “Crimson Wine and Chocolate Covered Cherries Side” of Le Force and write Romance because it’s popular and I’m more than likely to succeed since there’s an open call for it?
Like I said before, I don’t know how to write strictly Romance. I need creepy scenes, an occasional vampire or demon to slay. I need undiscovered elements on the periodic table. I need a nod to the current status quo and how to change it. I need to believe that there are dragons to slay whether they be literal or figurative. I need to hope for windows, doors, closets, basements, or even dreams that lead to alternate dimensions.
I may not write Romance yet, but I could learn, if I feel so inclined, and not because it’s what a publisher wants of me to selfishly benefit themselves. In other words, why should writers of color pigeonhole themselves? We should be able to write what we want.
This scenario brings this excerpt from Rachel Deahl’s Publisher Weekly’s article, “Why Publishing is So White”:
So how does the industry move forward and do better? Right now, publishing seems to be struggling with the difference between words and actions. Take, for example, a situation a publisher at a reputable Midwestern press recounted. Claiming he is “always trying to diversify our staff,” he brought up a recent editorial assistant search that initially yielded 250 applicants. The press narrowed its options down to eight finalists, five of whom were white and three of whom were people of color. Although all the finalists were “excellent” in his estimation, the position went to a white woman. The reason? “There’s no room for tokenism at [our press].”
Dude, there’s no need for tokenism! What a cop out!
There’s always going to be a first and you don’t have to stop there. A first — if that’s the intended direction you want to go — will lead to a second and a third.
It only takes one to turn the tide.
The need for diverse books from diverse authors with different stories to tell isn’t a trend and never will be.
I love comments, and I always visit back. Blogging is all about being a part of a community, and communities are about communication! Tweet with me @moniquedesir
Disclaimer: The following analysis of characters and their names are solely my opinion and conclusions I’ve drawn from being a wordsmith, character creator, and a lover of names.
Juliet, from the play, Romeo and Juliet, speaks this famous line. She argues that it doesn’t matter that the young man Romeo whom she loves is a Montague, her family’s archenemy.
But Juliet is wrong. Names are important. Especially when it comes to creating names for characters. And on a more mundane note, who the heck would lovingly pen the name, Toilet, on their newborn baby’s birth certificate. Or Virus? Cesspool? Booger?
I read a lot of fantasy and I love when I can tell that an author put a lot of thought into creating their characters’ names. When my oldest brother read the names I had brainstormed for a book we’re working on together, I smiled until my face ached (okay, fine I’m using hyperbole) because I was pleased that he was pleased with my inventions. Creating names is a lot of fun!
Popular Character Names in Book Series
In Jim Butcher’s Dresden Files, the wizard Harry Dresden’s full name is Harry Blackstone Copperfield Dresden. Not only is Harry’s name fun to say, but his first name is a nod to Harry Houdini, a Hungarian-American illusionist and stunt performer, famous for his sensational escape acts. Dresden’s also named in honor of David Copperfield, an American illusionist and magician who was born in 1956. I’m not sure about the background information on “blackstone” though. I do know that it comes from the Blackstone Group, which is a financial firm founded by two dudes in the 1980s who used the German and Greek parts of their names to create a cryptogram: “Schwarz” is German for “black” and “Peter” or “Petra” in Greek means “stone” or “rock”. Thus, “blackstone”.
Another popular character in urban fantasy, is the one and only Anita Blake. I adored this series and still mourn for the style it was written in over a decade ago. I miss Anita solving crimes, raising the dead, and putting them back to rest. Her full name consists of four syllables. Her first name sounds softer and more romantic to me. Also, Anita certainly had a softer side in the beginning of the series (i.e., her stuffed animal penguin collection). Her name is derived from Sanskrit and means full of grace, mercy, favor, variety, a leader, without guile. In the series, it’s implied that her name is from the Spanish language because her deceased mother is Mexican. Her last name, Blake, is a mystery and where it is derived from is uncertain. According to Mr. Wikipedia it could come from “blac”, a nickname for someone who had dark hair or skin, or from “blaac”, a nickname for someone with pale hair or skin. Another theory is that it is a corruption of “Ap Lake”, meaning “Son of Lake”. I think this uncertainty and duality of dark and pale suits the character of Anita Blake just fine since she has gone from being a character symbolizing justice and daring not to dabble with the dark creatures of her world — vampires, for example — to not only protecting them, but doing the horizontal mambo with them every day, all day.
Popular Character Names in TV Series
Olivia Pope’s name is interesting. Her surname evokes images of holiness, righteousness, and power. However, one could argue that the title or word “pope” also conjures images of the exact opposite due to corruption and hypocrisy in the Catholic Church. Likewise, the character, Olivia Pope, in the television series Scandal, is a woman of contradictions.
As a crisis manager, her job is to solve problems for her clients who add to the existing drama in her personal life. Her first name comes from Latin and means “olive branch”. Olive branches are a symbol of peace or victory, which fits Olivia perfectly. The fictitious character of Olivia Pope is partially based on real-life crisis manager, Judy Smith. I watched the first two episodes of Scandal and couldn’t continue. There are no dragons and too much mundane drama that I avoid in the daily news. I found it tragic that Olivia, a beautiful, talented, and intelligent woman couldn’t have her happy ending. Granted, it’s her own choices that often keep her from it. Or maybe Shonda Rimes, the show’s creator, wanted to portray a realistic woman who forfeited the search for an impossible “happily ever after” and instead settled for or could be satisfied with “happy enough”? I have no idea. I like Happy Endings. That’s why I often play RPGs and live vicariously through my CGI characters. 😛
Anyway, I predicted that Ms. Pope’s slippery slope into tragedy would continue to worsen and if I became a fan my heart would most likely break. I’m all about keeping my heart intact. 🙂
Another character with a cool name is Nikita from the series (first a movie), La Femme Nikita, which is French for The Woman Nikita. Nikita. Nikita, Nikita. That’s it. No last name. And that’s all that’s needed.
Why? This name is loaded with goodies! Nikita is an assassin that is paired with great assets — beauty, intelligence, and the ability to kill with ease and efficiency. Her name isn’t even originally French or female. It originated as a masculine Greek name and subsequently a Russian name exclusively for males. The name has been recently adopted as a French name for girls.
Popular Character Names in Movies
Keyser Söze isn’t the name of a breakfast bagel. And no, I’m not referring to one of Moe’s (Welcome to Moe’s), (Tex-Mex eatery — delicious!) salsa. Keyser Söze is the name of the main antagonistic and driving force in The Usual Suspects, one of my favorite movies. I won’t spoil the movie’s epic and mind-blowing twist ending for those of you who haven’t yet seen this cinematic masterpiece. Traditionally, Keyser is a last name and it’s a development of the early Germanic name “Kaiser”, which was derived from the Roman imperial title “Caesar”. In the criminal underworld, Keyser’s great skill, ruthlessness, and reputation are of epic and mythical proportions. For example, handicapped con artist Robert “Verbal” Kint describes Keyser as “a myth, a spook story that criminals tell their kids at night. ‘Rat on your pop and Keyser Söze will get you.’ But no one ever really believes.” Poor dears. They should believe.
Keyser may be a man of violence and enjoys spreading fear, but like some mega-villains he’s a man of his word. I looked up the meaning of the word “soze” in Turkish and was prompted to look it up in Kurdish. It means “promise“. Keyser Soze is most likely a pseudonym and a small piece of the puzzling, deceptive, and criminal world the “usual suspects” dwell in.
Speaking of the criminal world, how could I not mention John Wick? Before John Wick, Chapter 1 and Chapter 2 beckoned action, thriller, and suspense lovers, I didn’t think any movie could bank on the explosions, the mystery, the gunfights, and the gloriously twisted plot that the writers of The Usual Suspects had created. During a heated and no less humorous conversation between a father and son (both elite members to the Russian maffia), important information about John Wick is revealed:
Viggo Tarasov: It’s not what you did, son, that angers me so. It’s who you did it to.
Viggo Tarasov: John is a man of focus, commitment, sheer will … something you know very little about. I once saw him kill three men in a bar… with a pencil, with a fucking pencil. Then suddenly one day he asked to leave. It’s over a woman, of course. So I made a deal with him. I gave him an impossible task. A job no one could have pulled off. The bodies he buried that day laid the foundation of what we are now. And then my son, a few days after his wife died, you steal his car and kill his fucking dog.
The name John is Hebrew and translates to “Jehovah has been gracious; has shown favor”. And the fact that John Wick is unstoppable and for the most part untouchable seems nothing short of a miracle. Reeves, who plays John Wick also compared Wick’s story to “[…] a kind of Old Testament revenge story” adding that, “When someone takes the things he cherishes, violence erupts and John can’t temper it.” Though the character’s last name, Wick, is a name Kolstad (the movie’s writer) had used as a reference to his grandfather, the founder of Wick Building Systems, as a fellow writer just because something is simply cool isn’t reason enough to do it. So, I did a little digging. The word wick is Old English and related to both Dutch and German languages. The best definition of the word “wick” that I discovered is:
The second definition is symbolic in regard to how John Wick operates in the criminal underground of assassins. Without his wife’s love, he’s like a wick or woven fiber waiting for fire to light it. In other words, there are two parts to John: his need to settle down and find happiness and the wanton desire to kill and blow things up. And the second definition, which is slang for annoying a person is poetic justice. In the first movie, John just wanted to permanently silence whoever messed with him by stealing his car and killing his dog. Cautionary advice: give him what he wants and he’ll return to his quiet self. Word to the wise: don’t bother John Wick and he’s as sweet as a lamb. 🙂
One of My Own Character Creations
From my vampire series starring the titular main character, Gabriel Lennox, I wanted to make a name that possessed sex appeal, mystery, and a firmness to it.
The name Gabriel is Hebrew and means “God is my strength”. The last name Lennox originates from Gaelic and means “lives near the place abounding with elm trees”. Gabriel Lennox is a strong, sophisticated name and it’s also the surname of one of my favorite singers, Annie Lennox.
Fellow writers, how do you choose character names? What techniques do you use?
Adoring readers, what character names do you love or hate . . . and why?
I love comments, and I always visit back. Blogging is all about being a part of a community, and communities are about communication! Tweet with me @moniquedesir
According to Mr. Wikipedia, “‘Had I but known’ is a form of foreshadowing that hints at some looming disaster in which the main character laments his or her course of action that came before some other series of unfortunate events or actions and classically, the narrator never makes explicit the nature of the mistake until both the narrator and the reader have realized the consequence of the error. If done well, this literary device can add suspense or dramatic irony; if overdone, it invites comparison of the story to Victorian melodrama and sub-standard popular fiction.”
And if I had but known that Indie publishing that would lead me on a roller coaster ride of euphoria, despair, anxiety, and relief (in no particular order) I most likely wouldn’t have bothered.
Most likely and yet here I am! 🙂
Dark Night of the Soul
The phrase, “dark night of the soul” has evolved into meaning the difficulties of life. And writers often use it to describe the hard time they’re having writing. And Indie authors like myself use it to reflect the struggle we experience trying to be recognized on the same plane as traditionally published writers.
Indie Publishing isn’t for the faint of heart. It isn’t for the hobbyists that dabbles in writing and doesn’t care about gaining readers and making money off of their literary works. And that’s fine. But I’m a believer that doing what you love for a living is the best of both worlds.
As I research ways of becoming noticeable and gaining more clout, I noticed that financially successful authors provide lots of gimmicks that have worked for them and share these tips with less prosperous writers (sometimes for a price):
Free book giveaways
$0.99 Book deals
Dedication and Drive
And so many more bits of advice. To someone new to Indie publishing, like me, it is overwhelming. Especially when you have to juggle important factors — family, a spouse, and a full-time job — to name a few.
But even after implementing these strategies, some authors still can’t sell a single book. Or even break even with how much money they had invested in their work. For example, I’ve invested close to $2,000 in my career as an Indie author. The dollar amount includes:
Book covers (custom designed)
Editing and proofreading
Marketing (business cards, flyers, promotions)
Author website (hosting)
Paperback copies of book
Self-publishing isn’t free and it most certainly isn’t cheap.
Which brings me to an interesting statistic. As of 2016, close to 40 authors on Amazon have sold over 1,000,000 ebooks. Yes, you read that correctly. FORTY!
“NOOOO! It’s too horrible! Damn lies and statistics! Lies!”
With statistics like this, one could just throw up their hands and give up. Statistics like this are demoralizing.
On the other hand, when you read articles like this, the future of Indie publishing looks more promising than ever. According to the linked article, almost a decade ago, writers who self-published were viewed as failures. Fast-forward to present day and now many of these Indie authors are making a fortune. Whether these authors have earned a quarter of a million dollars or even $10,000 they’re making more money doing it alone than relying on gate-keeping publishers and their contracts.
$10,000! Wow, I’d be happy if I made even $1,000. So, I shall carry on.
For Art or Money? Or Both?
Let’s revisit the argument on why writers write. Is it less noble to expect payment as starving artist believe? I write for pleasure. I write to vent. I write because I’m compelled to. If I don’t write, I don’t feel right.
Likewise, once I’ve published a book – one of my literary creations – and place it for sale, I expect to get something in return. I expect recognition in some way, shape, or form. for all of the time I invested into that book. Money, for example, is a primary indicator of success in many societies. So, my motivation is a little bit of both – art and money. Nothing wrong with that.
Cave of Obscurity
Amazon is like a vast rain forest filled with merchandise consumers go spelunking for. As an Indie author, braving the cyberspace landscape, (most likely on Amazon.com) you want exploring customers (potential readers) to discover YOU and quit clicking for something else. Unfortunately, rain forests, (like the actual geographical Amazonian rain forest) also possess caves where explorers can get lost. And on Amazon.com, you’re competing with other books that have more marketing clout and exposure than you do.
It doesn’t take long to realize that due to the residual stigma of self-publishing, most Indie authors are at a disadvantage.
David and Goliath? Little dude, use your briefcase!
Forget the so-called gatekeepers of publishing. Flesh-eating trolls who stalk the many cave tunnels are a much bigger threat.
And each year, the amount of titles increases, thus raising the likelihood that your precious literary baby will end up in the cave of obscurity – a place where no one will find it. Ever.
Heck, all the hours of writing, researching, building a platform, etc. don’t mean much if readers can’t find the culminating product of your effort, and read it, then share it.
As of 2016, over 4 million titles are available compared with 600,000 (amount of titles six years ago). The market is overly saturated with books. Notice I didn’t say “good books”, but books in general. Not all books are created equal. So, in order for readers to discover your book, you have to stand out in the crowd! For example, I published my first middle-grade fiction book on Amazon and Barnes & Noble. I wanted to have it available with as many distributors I could gain. I plan to add more distributors and vendors in the months to come. To test Barnes & Nobles’ search engines, I typed in the key words I had laboriously chosen so readers could find my book.
Not one of the words worked.
Even when I typed in my author name with the title, I couldn’t find the book. 🙁
And even when I typed in the title of the book, the subtitle, and my author name: nothing! I learned from other authors who published with B&N that the search engine is setup “like that” and I wondered why. I contacted B&N and asked for an explanation. I was given a sprawling response that went in a hundred different directions, but not an answer to my question.
Perhaps, B&N wants to keep Indie authors like me in the cave of obscurity.
Wow. Just wow. You’r really gonna do me like that?
There’s a good argument for that conclusion. I had planned on doing a book signing at the B&N close to my home and now I’m not so sure I want to commit to that. Why? Because after speaking with the manager of an actual brick-and-mortar store, I learned that as an Indie author, you have to sell your books on consignment. In other words, you purchase the paperback copies, bring them to the store and then have B&N customers purchase the book with a cashier at the front of the store. And this is the part that pisses me off. It can take up to six months for B&N to pay you the 40% that they OWE YOU. Sometimes longer.
Time will tell whether or not I will work with them. Will I recommend publishing books to other authors with Barnes & Noble? At this time, based on what happened . . . most likely not.
You Gotta Be . . .
On another note, I recently read a book on free promotion after seeing it on Facebook. And when I learned the author was an indie author like myself, I felt even more indebted to help the said author out! However, when I read the first page, disappointment seized me and I had to set the book aside. For the past two weeks, I return to the book occasionally to remind myself of what not to do. The book was published in 2011 and has not a single review. I feel bad for the writer because I think he/she (I won’t specify the gender) thinks the book was publishable. Even though, there were hundreds of grammar and spelling errors. Even sadder, I think he or she was so excited to even have a book published that he/she threw caution to the wind and clicked the published button as soon as possible. I’ve been there! Done that! But, due to the amount of competition, readers will pass your book by and move onto one they deem better and worth an investment of their time.
Number of Book Sales doesn’t = Talent
The amount of book sales doesn’t reflect how talented an author is. If book sales were an indicator then the strange phenomena of crappy books selling millions of copies wouldn’t occur or wonderful books only selling few or none.
Don’t Quit Your Day Job. Yet.
Writing is a poor man’s job where only a minority of writers are able to pursue their craft full-time and make a living from it. I laugh when my students ask me, “So, are you rich now?” after they learned I’ve published two books. The first book I had to republish because I lost my publisher when they went out of business. My students assume that every writer can be J.K. Rowling, a rags-to-riches single mother who created a $15 million dollar brand and has a net worth estimated to be less than $1 billion.
I can only aspire to reach that status.
I love writing and will most likely continue to do so. However, “had I but known” that the art of writing would change, I would have focused more on creating manga and graphic novels. So, I may have to change venues and write for television series, video games, Netflix, et cetera. You know, societies latest panacea for their social ills.
In the meantime, I’ll keep my day job and work, write, work, write, work.
Des’ree’s “You Gotta Be” will be my motivational anthem cheering me on. 🙂